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TRANSCANADIAN ANGER
by DOPETHRONE
supported by 8 fans who also own “Facebeater”
This album is an absolute banger. The riffs are especially groovy this time, the vocals are amazing, and the overall thing is supercatchy. If I'd have to list one downside, it's that the mix is so bass-heavy that the sound only truely comes into it's right when listened on good headphones or extremely good speakers. On anything less it can sound like the bass drowns the rest of the music out. 9/10
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supported by 7 fans who also own “Facebeater”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible.
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supported by 7 fans who also own “Facebeater”
This had been the guilty pleasure for me before realizing that I DO LIKE heavier guitar music. Or BASS. What ever. It's good, now shush up and listen!
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The Earth Wants Us Dead
by Sea of Bones
If you're going to go out in apocalyptic style you might want to have the 40 minute title track playing loud at your side.
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The Tides Will Prevail
by Kenoma
The debut full-length from Kenoma is full of spacious, haunting songs that steadily build to great rushes of sound.
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Former members of the great band SubRosa return as The Otolith, and their debut LP finds them at the peak of their mighty powers.
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supported by 6 fans who also own “Facebeater”
I must be a troglodite commenting in 2024, but here we are, with primal riffs and knuckle dragging tone, inventing fire whenever Estron is played. I am no archeologist, but I dig the f@ck outta Slomatics!!
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